DV-L Google Group

Re: Matrox MXO

gary.broadfi...@gmail.com (videoguys) — Fri, 26 փետր 2010 19:58:46 UT

MXO2 is strictly I/O. It lets you play your timeline out to HD/SDI, as
well as capture uncompressed or into ProRes.
The MAX technology adds accelerated H.264 encoding.
check out our MXO2 FAQ
[link]

RE: [DV-L] Matrox MXO

perry.mitch...@gmail.com (Perry) — Fri, 26 փետր 2010 09:14:13 UT

Question for Gary
My company has just bought a Matrox MXO2 (with Max) and I'm trying to get my
head around it!
The main purpose is for interfacing an HDSDI switcher with a computer for
Internet Streaming, and that I mostly understand. The bit that remains a
mystery is the claim that it 'understands' XDCam, DVCPro, (AVCIntra?) etc.

Re: [DV-L] What are you doing in Vegas...

burkhartm...@aol.com — Mon, 25 հուն 2010 08:47:57 UT

Content Is Still King, eh Randy ;^)

It's too easy for us "Techo-Geeks" to be blinded by the lastest and
greatest technology. Find a good story and tell it.

Aloha,
Jon Burkhart

In a message dated 1/25/2010 2:22:10 A.M. Eastern Standard Time,

Re: [DV-L] What are you doing in Vegas...

vegasca...@yahoo.com (Steven St. Phillip) — Mon, 25 հուն 2010 07:21:46 UT

Yes sir it was....lol. Also the suggestion to use a slight amount of vertical blur was another work around you can get away with in the SD/interlaced world. Thank you.
Steven St. Phillip.
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To: dv-l@googlegroups.com
Sent: Sun, January 24, 2010 5:09:16 PM
Which begs the question- was this the answer you were looking for?

Re: [DV-L] What are you doing in Vegas...

randy.qui...@gmail.com (Randy Quimpo) — Mon, 25 հուն 2010 01:09:16 UT

Which begs the question- was this the answer you were looking for?
rgds / RandyQ
On Sun, Jan 24, 2010 at 11:57 AM, Steven St. Phillip

Re: [DV-L] What are you doing in Vegas...

vegasca...@yahoo.com (Steven St. Phillip) — Sun, 24 հուն 2010 03:57:51 UT

Awesome...thank you Randy.
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Sent: Sat, January 23, 2010 5:09:47 PM
I see that you are referring to the interlace flicker you get when you
mix a freeze frame from an interlaced source with a progressive still
frame. I do this all the time in FCP - solve it by applying a

Re: [DV-L] What are you doing in Vegas...

randy.qui...@gmail.com (Randy Quimpo) — Sun, 24 հուն 2010 01:09:47 UT

I see that you are referring to the interlace flicker you get when you
mix a freeze frame from an interlaced source with a progressive still
frame. I do this all the time in FCP - solve it by applying a
deinterlace filter on the freeze frame. The exact filter I use is
something called Joe's filter, not the built-in deinterlacer. There

Re: [DV-L] What are you doing in Vegas...

vegasca...@yahoo.com (Steven St. Phillip) — Sat, 23 հուն 2010 19:30:20 UT

Joe I think blu-ray ultimately is viewed on a progressive scan display; so your 1080i footage is ultimately converted to progressive scan and that makes those progressive scan stills very happy, right? lol.
I used to work on the show Seinfeld and have some old rare gag reels on VHS that I digitized and made a DVD with. The progressive scan plates I made that went on the timeline to id each gag reel flicker in this 29.97 project. The same or similar plates used in the menus are solid with no flicker? I have run into interlaced flicker before when I made some photo montages as well. Just was looking to see what others did in a similar work flow to deal with it is all.

Re: [DV-L] What are you doing in Vegas...

vegasca...@yahoo.com (Steven St. Phillip) — Sat, 23 հուն 2010 19:12:40 UT

The solution is to have no flicker on both types of displays....there are still millions and millions of interlaced NTSC displays out there and will be for years to come!
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To: dv-l@googlegroups.com
Sent: Sat, January 23, 2010 8:57:22 AM
We stopped checking work on CRTs when we went to HD. I know there are

Re: [DV-L] What are you doing in Vegas...

joepark...@gmail.com (Joe Parker) — Sat, 23 հուն 2010 16:57:22 UT

We stopped checking work on CRTs when we went to HD. I know there are
still plenty around, but less all the time. Besides, if we start
stressing compatibility with CRTs again, then we'll also have to check
projectors of all types. And Plasma and LCD. And what about all those
cheap new TVs that won't even do 1920/1440 resolution, but downsize

Re: [DV-L] What are you doing in Vegas...

selan...@tkf.att.ne.jp (Tim Selander) — Sat, 23 հուն 2010 15:53:53 UT

Resize slightly can help. I've even masked out the really jittery
parts and applied a light blur. Don't know if Vegas can do that,
as I use something else. In some cases, if it's really bad (lots
of thin lines in the pic) I might make a freeze frame withe just
one field. You lose resolution, but it helps the jitter, which

Re: [DV-L] What are you doing in Vegas...

joepark...@gmail.com (Joe Parker) — Sat, 23 հուն 2010 14:57:25 UT

I'm not sure I understand the question. I do photo montages and render
to 1080i for inclusion in our weddings. They get dropped on the
timeline and go to blu-ray as 1080i. But they're all progressive 1080p
pics when I bring them in.
Is it some specific picture you're having trouble with? On a specific

What are you doing in Vegas...

vegasca...@yahoo.com (Steven St. Phillip) — Sat, 23 հուն 2010 08:58:26 UT

What are you doing in Vegas or any NLE when you are working on an interlaced project bringing in progressive scan stills to prevent interlaced flickering/ Please don't just say you click the switch in your NLE to reduce interlaced flicker...lol. Appreciate any input here.
Steven St. Phillip.

Re: [DV-L] Videoguys Top 10 New Products of 2009

ton...@gmail.com (Tony B) — Wed, 13 հուն 2010 18:27:13 UT

I think this would have been much better titled "updated" products
rather than "new products". Although I'm not too familiar with many of
the items, I think it's kind of silly to claim a version 9 app like
Vegas is 'new', or any app with a version besides 1 in the name.
Blu-ray burners weren't new in 2009, were they?

Videoguys Top 10 New Products of 2009

gary.broadfi...@gmail.com (videoguys) — Wed, 13 հուն 2010 17:23:56 UT

Videoguys Top 10 Products of 2009! [link]
It's hard to believe another year has gone by. I think 2009 was one of
the most challenging years for our industry. The troubled US economy
created budget problems for videographers, video editors and producers
on every level. In today's economy every Penney counts and before we